PORTFOLIO

• Created main event mechanics, including a 3-song battle sequence using proprietary visual scripting, similar to Korn Battle Concert, featuring multiple boss battles, ultimately concluding with players contesting the shackled, levitating 'god of rock' banshee, Alison Chainz.

• Created dynamic, seamless environment swapping in combination with visual scripting and Cinema Director to create the illusion of going around multiple worlds that coincided with Alice in Chains' track list, including Mt. Rainier.

• Created special, random chance sequence where Alison Chainz would be pulled into the speaker by Thrash to become the final boss encounter as a throwback to Korn concert with animator assistance.

• Handled lighting of all 3 stage areas that were used in the environment swapping.

• Created brand new mechanics integrated with a special event UI where players could affect the state of which boss they would encounter by destroying 'titan essence,' ghostly minor versions of the titans Eclipsion & Pulsarion.

• Created cut scenes and VFX with artist help for signature titan hits after a 'titan essence' was killed.

• Expanded upon visual scripting with many new elements to allow for seamless animation effects upon existing systems, which also other content creators could use.

• Implemented large scale environment transitions and VFX for stylized environments to coincide with Breaking Benjamin's track list.

• Created main event mechanics for a 3-song battle sequence using visual scripting, featuring multiple boss fights into a final 'god of rock' boss Thrash, while members of Korn were playing on stage, all synchronized to real world timers, allowing all players to interact together.

• Created run-time stage transitions, including VFX and functionality additions, using Cinema Director and visual scripting for Unity 2018.

• Created spotlight shaders to work with Unity animator controls to give animators more freedom with the stage light show.

• Modeled and textured amp backdrop, stage, and spotlights, as well as hooked up render textures for player 'big screen' camera renders.

• Worked with animators and audio engineers to make a playable drum kit for players to interact with.

• Created a duplicate main event with mechanics that included a 4th track for an encore version of Korn's Battle Concert featuring the track 'Cold'.

• Created an additional environment to allow for a 4th stage transition including a new skybox and destroyed world.

• Blended additional VFX seamlessly into prior Korn set up using the same Cinema Director and visual scripting methods.

• Created gameplay and quest mechanics, including the mini boss loop and an interactable organ for players to summon a hidden boss, The Masked Macabre.

• Created NPC chat bubbles for more immersive environments where NPCs could react with different phrases based on events, such as combat enter, death, and idle.

• Created NPC dialogue UI box for cleaner presentation of dialogues, upgraded from plain yellow text, and fully-integrated with previous usages in prior dungeons.

• Created VFX and dynamic soundtrack swapping to allow for multi-paced monster slaying and questing.

• Created the General G. Fuel boss encounter, working with designers, artists, animators, and audio engineers to create a custom experience, where players would face off against General G. Fuel, while flying across the Moistverse and being bombarded by varied rockets, air-strikes, and nukes.

• Created rocket, air-strike, nuke, and alarm systems, including all VFX, along with animator and audio engineer assistance, using visual scripting for a one-of-a-kind, unique boss experience.

• Created three separate modes, including Story, Normal, and Challenge variants, as well as a multiplayer 'Visualizer Rocket Ride,' where players could ride along with each other in a large, 75 player instance map.

• Created all main stage VFX to create illusion of flying on stationary rocket, with assistance from animators for world animation.

• Extended visual scripting to allow for parenting of players to environment objects, allowing for designers to build the parkour and speed run maps with moving platforms.

• Modeled main stage, helipad lights, and bomber airplane. Coordinated with artists for intended artistic direction.